Regarded as one of The Rolling Stones’ all-time great albums, ‘Sticky Fingers’ captured the bands trademark combination of swagger and tenderness in a superb collection. The classic album features timeless songs such as ‘Brown Sugar,’ ‘Wild Horses,’ ‘Bitch,’ ‘Sister Morphine’ and ‘Dead Flowers’ and showcases the inventive song writing of Mick Jagger and Keith Richards and formidable guitar licks from Mick Taylor. All Deluxe and Super Deluxe formats will feature a generous selection of previously unavailable material. These include the alternative version of the chart-topping single ‘Brown Sugar’ featuring Eric Clapton; unreleased interpretations of ‘Bitch,’ ‘Can’t You Hear Me Knocking’ and ‘Dead Flowers’; an acoustic take on the anthemic ‘Wild Horses’, and five tracks recorded live at The Roundhouse in 1971 including ‘Honky Tonk Women’ and ‘Midnight Rambler.’ Original CD: Remastered album with 12 page booklet. Review By 1970 the Stones had earned the right to take a little time to turn out their next album. Bedding in new boy, Mick Taylor, on their well-documented tour of the states the year before had also involved a little studio time at Muscle Shoals studio. The results of these sessions and songs held over from Beggars Banquet were also brought to the table when they reconvened, still a little bruised from the apocalyptic events at Altamont. These were now grown-up men with families, demons and more to cope with who assembled at Jagger’s Stargroves mansion with their mobile studio in the summer of 1970. In the topsy-turvy world of success they’d had more than their share of recent ups and downs. Sticky Fingers was destined to be the triumphant first release from their self-owned label but this success was leavened by the fact that they’d signed over their back catalogue to previous manager Allen Klein and had to give him the royalties from ‘’Brown Sugar” and “Sway” to boot. The incessant touring meant that the band were now world citizens, but they still moved closer to their American roots. Using the usual support cast of Bobby Keys, Ry Cooder, and Nicky Hopkins they turned their experiences into ten tracks of narcotic misery and sexual frustration. All wrapped in a very louche Andy Warhol sleeve. Narcotics are a major theme, of course, but also loss, frustration and incredible world-weariness. Reviews at the time complained that Sticky Fingers lacked the bite of previous releases like Let It Bleed or Beggars Banquet, but it’s this very quality that makes the album special. Like Neil Young’s Tonight’s The Night, the sense of a wake creeps through tracks like “Dead Flowers” and “Sister Morphine”. Elsewhere the Delta serves as a touchstone for some of Jagger’s most heartfelt wailing as on “I’ve Got The Blues” and “You’ve Got To Move” while he’s never bettered his letchery on “Brown Sugar”. Taylor’s arrival is keenly felt on “Can’t You Hear Me Knocking?” with its Santana-esque coda. “Sway” and “Bitch” are hard-bitten rockers that couldn’t exist without Charlie’s taut snare. Eventually the whole thing collapses in on itself with “Moonlight Mile”. A coked-out, somnambulant drift through an era’s last days, and a beautiful end to a beautiful journey. While many hold their next album, Exile On Main St, as their zenith, Sticky Fingers, balancing on the knife edge between the 60s and 70s, remains their most coherent statement. --Chris Jones This link will take you off  in a new window