IN THE BEGINNING, THERE WAS BACH...After all, it was he who composed the first harpsichord concerto. For me as for most harpsichordists his concertos were the first works with orchestra that I played, still as a student. Over the years I approached them over and over again, interpreting them on different harpsichords and with different ensembles: large and small, of period and contemporary instruments. I even once experimented with performing these concertos on an electric Rhodes piano.Though the Bach harpsichords have been the subject of excellent musicological dissertations, finding a suitable instrument is by no means easy. During rehearsals we have had access to three very different ones, and none of them could necessarily be called Bachesque . It soon became clear that the D Major Concerto with its ludic third movement can best be rendered on a Flemish instrument, whereas the sophisticated Concerto in E Major sounds fine on a copy of a French harpsichord, and the monumental D Minor Concerto will benefit from choosing a German instrument with a 16-foot register, which (of the three instruments available) is most likely the closest we can come to Bach's own preferences.
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