In French music, Gabriel Fauré forms a link between Romanticism and modernism: in Paris in the year of his birth, Chopin was still composing, and by the time of his death, jazz was all the rage, whilst Stravinsky was championing neoclassicism. This recording contains all of Faurés music for cello and piano, including the much-loved Élégie and Sicilienne pieces that are sometimes described as salon music, with qualities that caused Debussy to dub the composer the master of charms. Interspersed with this lighter fare are also the two sonatas from Faurés later period when, suffering from increasing deafness, he developed a more pared-down style. Even though the sonatas came into being only a few years apart they are nevertheless quite different appearing in 1917, Sonata No. 1 in D minor is very much a wartime work, at times almost violent. The G minor Sonata is altogether more accessible, with a vivacious finale that caused the composer Vincent dIndy to remark to the 78-year old Fauré: How lucky you are to stay young like that! Andreas Brantelids previous release for BIS a disc with music by Grieg and Percy Grainger received critical acclaim including a Gramophone Editors Choice. For this all-Fauré programme he has chosen to collaborate with pianist and highly respected chamber musician Bengt Forsberg.