Comedy based on the novel by Lauren Weisberger. Andrea (Anne Hathaway) is a bright young woman from the Midwest who has just graduated from college and wants to work as a magazine writer. She has applied for a job at 'Runway', America's most prestigious fashion journal. Andy has little interest in the garment trade, but it is one of the only magazines in New York with a job opening - second assistant to editor Miranda Priestly (Meryl Streep). As Andy discovers, Miranda is a diva with plenty of power in the magazine business, and she isn't afraid to use that power. Though Andy lands the job, she soon learns that working for Miranda could test the patience of a saint, thanks to her endless demands and refusal to acknowledge the end of a work day. Andy struggles to hold on to the job and her sanity, knowing that a recommendation from Miranda can open nearly any door at any magazine - but can she handle the pressure without losing her mind along the way? This clever, funny big-screen adaptation of Lauren Weisberger's best-seller takes some of the snarky bite out of the chick lit book, but smoothes out the characters' boxy edges to make a more satisfying movie. There's no doubt The Devil Wears Prada belongs to Meryl Streep, who turns in an Oscar-worthy (seriously!) strut as the monster editor-in-chief of Runway, an elite fashion magazine full of size-0, impossibly well-dressed plebes. This makes new second-assistant Andrea (Anne Hathaway), who's smart but an unacceptable size 6, stick out like a sore thumb. Streep has a ball sending her new slave on any whimsical errand, whether it's finding the seventh (unpublished) Harry Potter book or knowing what type she means when she wants "skirts." Though Andrea thumbs her nose at the shallow world of fashion (she's only doing the job to open doors to a position at The New Yorker someday), she finds herself dually disgusted yet seduced by the perks of the fast life. The film sends a basic message: Make work your priority, and you'll be rich and powerful... and lonely. Any other actress would have turned Miranda into a scenery-chewing Cruella, but Streep's underplayed, brilliant comic timing make her a fascinating, unapologetic character. Adding frills to the movie's fun are Stanley Tucci as Streep's second-in-command, Emily Blunt ( My Summer of Love ) as the overworked first assistant, Simon Baker as a sexy writer, and breathtaking couture designs any reader of Vogue would salivate over. -- Ellen A. Kim