After an initial 45 rpm, 'Christophe Columb', which he produced in the spring of 2013, and which was 'distributed free with chocolates' and then repressed by Frantic City, the story of Forever Pavot begins to take shape around a new group. Then will come two EPs (the first with the English from Sound of Salvation in January 2014, the second in April in Requiem for a Twister), all released in such limited numbers that already the word CULT writes itself in large letters on this long-haired Emile's forehead. So there is a new tenant in the Jean-Claude Vannier residence. The discreet type, but rather noisy. Fuzz guitars, wild farfisa, bass lines mixed well ahead in the Burgalat tradition, flutes playing, horse cavalcades on Miguel El Salam, 'Rhapsode' is such a huge indoor Western shot by the ORTF ( 64's to 74's French Broadcasting Authority TV) that sometimes we expect to see Jean-Christophe Averty spring out from an enclosure, holding both a camera and a joint. But again, clothes don't make the man. The name Forever Pavot was not born of an apology of drugs: 'It started as a joke. One day I read too fast a 'flower power' poorly written on a school pencil case. It made me laugh', said Emile. Fan of Jazz programming and of Turkish psyche, he is also shooting video clip for others (Disclosure's videos or Dizzee Rascal's) and proves at every moment that appearances are often misleading. 'I feel a bit like Stereolab or Broadcast, artists who draw from the past to make something new (...) Ten years ago or so, I was doing hardcore punk, then I did chiptune, pop, compos garage / folk recorded on K7, and now things inspired from the 60's movie music ... the only guideline are my desires. Nobody will be able to get in my way if I want to make a reggae album in three years or an album of French songs. Because I m the one who decides.' Being modern is being master of one s time. As for Emile's paradise, it is obviously paved with good intentions.