Double bill of romantic comedies. In 'The Holiday' (2006), Iris (Kate Winslet) is in love with a man who is about to marry another woman. Across the globe, Amanda (Cameron Diaz) realises the man she lives with has been unfaithful. Two women who have never met and live 6000 miles apart, find themselves in the exact same place. They meet online at a home exchange website and impulsively switch homes for the holiday. Iris moves into Amanda's L.A. house in sunny California as Amanda arrives in the snow-covered English countryside. Shortly after arriving at their destinations, both women find the last thing either wants or expects: a new romance. Amanda is charmed by Iris' handsome brother Graham (Jude Law) and Iris, with inspiration provided by legendary screenwriter Arthur (Eri Wallach), mends her heart when she meets film composer Miles (Jack Black). In 'Love Actually' (2003), eight stories involving the love lives of more than a dozen characters are brought together over one Christmas and climax on Christmas Eve; from the recent widower Daniel (Liam Neeson), the failing marriage of Karen (Emma Thompson) and Harry (Alan Rickman), the aging rocker (Bill Nighy) who just wants to get paid (and laid if possible), through to the Prime Minister (Hugh Grant) falling for a member of Number 10's staff (Martine McCutcheon).  The Holiday As a pleasant dose of holiday cheer, The Holiday is a lovable love story with all the Christmas trimmings. In the capable hands of writer-director Nancy Meyers (making her first romantic comedy since Something's Gotta Give), it all begins when two successful yet unhappy women connect through a home-swapping website, and decide to trade houses for the Christmas holiday in a mutual effort to forget their man troubles. Iris () is a London-based journalist who lives in a picture-postcard cottage in Surrey, and Amanda () owns a movie-trailer production company (leading her to cutely imagine most of her life as a "coming attraction") and lives in a posh mansion in Beverly Hills. Iris is heartbroken from unrequited love with a cad of a colleague (Rufus Sewell), and Amanda has just broken up with her cheating boyfriend (Edward Burns), so their home-swapping offers mutual downtime to reassess their love lives. This being a Nancy Meyers movie (where everything is fabulously decorated and romantic wish-fulfillment is virtually guaranteed), Amanda hooks up with Iris's charming brother Graham (), and Iris is unexpectedly smitten with Miles (), a super-nice film composer on the downside of a failing relationship. --Jeff Shannon Love Actually With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection. With Love Actually, Curtis orchestrates a minor miracle of romantic choreography, guiding a brilliant cast of stars and newcomers as they careen toward love and holiday cheer in London, among them the Prime Minister () who's smitten with his caterer; a widower () whose young son nurses the ultimate schoolboy crush; a writer () who falls for his Portuguese housekeeper; a devoted wife and mother () coping with her potentially unfaithful husband (); and a lovelorn American () who's desperately attracted to a colleague. There's more--too much more--as Curtis wraps his Christmas gift with enough happy endings to sweeten a dozen other movies. That he pulls it off so entertainingly is undeniably impressive; that he does it so shamelessly suggests that his writing fares better with other, less ingratiating directors. --Jeff Shannon Synopsis Double bill of warm romantic comedies featuring a host of British and American talent. Includes Love Actually and The Holiday.